BY ANDREW MOODY Scarcely ten years after David O. Selznick had triumphantly opened Gone With the Wind, he was walking along a deserted street at dawn and saying to a companion: “Hollywood’s like Egypt. Full of crumbling pyramids. It’ll never come back. It’ll just keep on crumbling until finally the wind blows the last studio prop across the sands.” Another subtitle for Otto Friedrich’s superb, … Continue reading City of Nets