BY ANDREW MOODY I first read about Orson Welles’ 1973 film F for Fake in a compendium of conspiracy theories by the late author and Playboy editor Robert Anton Wilson, a huge fan of Welles and this movie in particular. “Perhaps the prime example of the post-modernist artwork, F for Fake is a somewhat faked film about the possibly fake biography of a truly great … Continue reading F for Fake